Henry Moore sports an interesting take on figure sculpting. He goes to it with a more abstract approach, creating weaving, organic shapes that seems to capture human figure and motion. Some are a bit more obvious than others, depicting things which can be more easily understood, such as the neck and arms of the figure below.

And then there are the harder to read ones. Sculptures that definitely bear the same rounded curves and essence of movement, but are much harder to see the figure in, if it exists within the piece at all even.
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